The story involves a group of lounge lizards in a local
watering hole. On the very first night
of the living dead, their immediate response is to collect as much fire power
as possible. I particularly liked the small detail of the narrator asking who
had guns and discovering that nearly everyone in the bar had been packing….only
in Arizona.
The still-living spend the night gathering up the individual arsenals that everyone in Arizona apparently has and bringing to a central base…which should logically be the aforementioned watering hole. It is a particularly telling comment on the Arizona mentality that on the very first night of the coming of the undead, when civilization has hardly broken down, the denizens of the Red Onion Lounge see nothing wrong with breaking into a gun shop and looting whatever they think they need. It’s the logical thing to do.
The still-living spend the night gathering up the individual arsenals that everyone in Arizona apparently has and bringing to a central base…which should logically be the aforementioned watering hole. It is a particularly telling comment on the Arizona mentality that on the very first night of the coming of the undead, when civilization has hardly broken down, the denizens of the Red Onion Lounge see nothing wrong with breaking into a gun shop and looting whatever they think they need. It’s the logical thing to do.
The story ends at sun up, when the Red Onioners now in possession
of more arms than the Iraqi army and setting up on the roof of the bar, finally
ready for the masses of undead that will surely come.
This all works well, with the one false note of having
the governor of Arizona warning folks that the zombies are upon us. It would be the role of the police to make
these warnings, not the governor. Nor can
I imagine the current governor of Arizona, Jan Brewer, would be so empathetic
to the plight of the people.
The second story, “Brides of the Wasteland,” is a more
typical post-apocalyptic yarn. Set in
the far future, the story revolves around Synwulfe the bounty hunter, working
on gaining his freedom by killing his quota of the hordes of mutants that
ravage what is left of the earth. It is
an action packed story which exposes its comic book origin. While the style is very visual and easy to
read, the story begins with an overly detailed exposition. That would have made sense as a sketch for a
separate and longer piece but it is unnecessary for the story that follows it. The salient details of the back story could
have been incorporated inline.
The final story, “The Lurker in the Shadows” is an
old-fashioned science fiction bug hunt. I’m
told this was originally intended to be Star Trek fan fiction and it does
indeed read like an episode of the show.
While Mr. Ringgenberg does present us with three entertaining
monster tales and has a breezy comic book like style, there is one affectation
that just didn’t work for me. In the two
first-person stories, the narrators occasionally have internal conversations
that are much more erudite than their spoken conversation. Consider this passage from “Brides of the
Wasteland”:
With practiced insouciance, I took a short pull off my drink and
began speaking, “Ya see a lotta weird shit out in the wild zones o’ the
Shattered Earth. Hell, I been at the center o’ plenty o’ bad craziness myself…”
I thought this was an interesting character affectation
the first time it appeared. When it
showed up in a second story, I realized that it was a voice error.
This is a minor problem however and does not take away from readability of the stories. “Zombie Gundown and Other Tales” is not classic literature, but that is not its purpose. It is meant to be an enjoyable and fast-paced read and on that it succeeds well.
This is a minor problem however and does not take away from readability of the stories. “Zombie Gundown and Other Tales” is not classic literature, but that is not its purpose. It is meant to be an enjoyable and fast-paced read and on that it succeeds well.
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