Friday, November 1, 2013

Sisterzz Twisted Halloween Show 2013



Several weeks ago I reported on what seemed to be an evolution in an art of gender illusion away from the olio format and towards something approaching theater.  Last night I witnessed the next step in that evolution with the Halloween show presented by “Sisterzz Twisted.”   

Traditional drag shows (both kings and queens) consist of individual lip syncing acts in which the performers collect tips from the audience in the middle of their performances.  There might or might not be a finale in which all the performers lip sync to an ensemble piece.   Last night’s Sisterzz Twisted show on the other hand consisted of four vignettes  (single scenes) in which most if not all the troupe participated.   There was the obligatory lip-syncing to popular songs, but the individual songs became part of a larger story.   Instead of interrupting the performance to collect tips, the audience was encouraged to wad up their dollar bills and throw them on stage.     

True to the burlesque roots of all drag shows, the acts had plenty of sex and comedy.  The humor in particular was fresh and innovative.  I loved the way they played with gender roles, be it male monsters in BeyoncĂ© like stockings and heels singing “Single Ladies” or a trio of women portraying fabulously effeminate male dancers.  At one point a quartet sang lovingly to what can only be described as a bizarre Jabba the Hutt like creature.   No one ever explained what this thing was or why it had such an appetite for members of the quartet, but we didn’t really need an explanation.  We were all too busy laughing. 

A callout to Peter Steele .  His world weary Devil, the only re-occurring character of the night, was delightful.  Not only did Mr. Steele perform live (no lip syncing) but in one of the rock and roll acts, he demonstrated his considerable skill at the drums.

I was troubled by the length of time taken between acts.  They called these intermissions “dance breaks” and as Cash Inn Country is primarily a dance club, I suppose that the down time could be excused.   Still, fifteen minute entr’actes  seemed a bit long, especially with the stage hands  going about their work to change the sets so lackadaisically.  

This is a great show and at the price of absolutely nothing (other than the completely voluntary and aforementioned tips) it is well worth the price.   The good news is that they are having an encore performance tonight at 8pm.  You will not be seeing the creative costumes of the Halloween audience, like Quailman, Max in his wolf suit, and a sexy vampire time lord, but If you’re not busy this All Hallows Day, you should treat yourself to see this show.  You will not be disappointed.

P.S.   I told one of the performers after the show that if I got the phone number of the Scotsman I’ve had a crush on for some time, I would give the show a good review.  Never got that number, but here’s the review anyway.

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